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	<title>Man Movies &#187; The Godfather</title>
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		<title>The Godfather</title>
		<link>http://manmovies.org/the-godfather.html</link>
		<comments>http://manmovies.org/the-godfather.html#comments</comments>
		<pubDate>Sat, 21 Mar 2009 00:55:12 +0000</pubDate>
		<dc:creator>Movie Man</dc:creator>
				<category><![CDATA[Best Man Movies]]></category>
		<category><![CDATA[Classic Man Movies]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[The Godfather]]></category>

		<guid isPermaLink="false">http://manmovies.org/?p=41</guid>
		<description><![CDATA[When one looks over the movies that are usually mentioned as the all-time greats, there is usually some innovation, technical achievement, artistic statement, or heart-warming impression that explains the choice. I&#8217;m not sure that &#8220;The Godfather&#8221; fits any of those categories but it certainly has to be considered as one of the greatest movies of [...]]]></description>
			<content:encoded><![CDATA[<p>When one looks over the movies that are usually mentioned as the all-time greats, there is usually some innovation, technical achievement, artistic statement, or heart-warming impression that explains the choice. I&#8217;m not sure that &#8220;The Godfather&#8221; fits any of those categories but it certainly has to be considered as one of the greatest movies of all-time. Francis Ford Coppola took an excellent engrossing, suspenseful book and turned it into a movie with the same qualities. From the opening to the closing scene, everything about this movie was carefully planned, designed, and orchestrated. It is a masterpiece of cinematic craftsmanship.</p>
<p>The acting is superb with Brando taking the prize in his portrayal of Don Corleone, the Godfather. His raspy voice that suggested reason while disguising intrigue was one of the many keys to the effective tone of the movie. There were scenes of violence, to be sure. However, it was the quiet, calculated moves that created a greater sense of evil. It was the implication of quiet yet ruthless planning that made the horse&#8217;s head all the scarier. Sonny (played very well by James Cann) did not understand the subtleties of evil whereas Michael (played even better by Al Pacino) did.</p>
<p>The music was haunting, the costume were well-done, the cinematography was excellent, the writing outstanding but it was the directing that carries the movie. I&#8217;m not sure whatever happened to Francis Ford Coppola. I realize that he had other achievements, not the least of which was the sequel of &#8220;Godfather II&#8221;. However, this man displayed a talent seldom seen. Maybe it was just the right mind and vision for the right project but it sure seemed that we would be seeing a lot more from this man.</p>
<p>Everybody has at least one scene from &#8220;The Godfather&#8221; that has stayed with them more than others. For many it is the horse&#8217;s head, for others it&#8217;s &#8220;the offer he can&#8217;t refuse&#8221;, while for others it may be something as subtle as the slowly closing door at the end of the movie. Each of those images appeals to us on a different level. &#8220;The Godfather&#8221; has worked its&#8217; way into our culture and why not? It is a movie that appeals to most every movie goer from age 14 on up. It is one of those movies that you can enjoy over and over again. Each time you can appreciate even more examples of the artist at work.</p>
<h2><span class="mw-headline">Cast</span></h2>
<ul>
<li><strong>Marlon Brando</strong> as <strong><span class="mw-redirect">Don Vito Corleone</span></strong> – the boss (the &#8220;Don&#8221;) of the Corleone family, Formerly known as Vito Andolini. He is the father of Sonny, Fredo, Michael and Connie and adoptive father to Tom Hagen. Husband of Carmella Corleone. A native Sicilian.</li>
<li><strong>Al Pacino</strong> as <strong>Michael Corleone</strong> – the Don&#8217;s and Carmella&#8217;s youngest son, recently returned from military service following the end of World War II. The only college-educated member of the family, he initially wants nothing to do with the Corleone family business. His evolution from doe-eyed outsider to ruthless boss is the key plotline of the film.</li>
<li><strong>James Caan</strong> as <strong><span class="mw-redirect">Santino &#8220;Sonny&#8221; Corleone</span></strong> – Vito&#8217;s and Carmella&#8217;s hot-headed eldest son; he is being groomed to succeed his father as head of the Corleone family. He is the family&#8217;s underboss.</li>
<li><strong>Robert Duvall</strong> as <strong>Tom Hagen</strong> – an informally adopted son of Vito and Carmella Corleone, he is also the family lawyer and the new <em>consigliere</em> (counselor). He is not Sicilian, but German-Irish.</li>
<li><strong>Diane Keaton</strong> as <strong><span class="mw-redirect">Kay Adams</span></strong> – Michael&#8217;s girlfriend and, ultimately, his wife and mother to his children.</li>
<li><strong>John Cazale</strong> as <strong>Fredo Corleone</strong> – the middle son of Vito and Carmella Corleone. Fredo is not very bright and appears to be the weakest of the Corleone brothers.</li>
<li><strong>Talia Shire</strong> as <strong>Constanzia &#8220;Connie&#8221; Corleone</strong> – Vito&#8217;s and Carmella&#8217;s youngest child and only daughter. She marries Carlo Rizzi.</li>
<li><strong>Richard S. Castellano</strong> as <strong>Peter &#8220;Pete&#8221; Clemenza</strong> – a <em>caporegime</em> for the Corleone family.</li>
<li><strong>Abe Vigoda</strong> as <strong>Salvatore &#8220;Sal&#8221; Tessio</strong> – a <em>caporegime</em> for the Corleone Family.</li>
<li><strong>Al Lettieri</strong> as <strong>Virgil &#8220;The Turk&#8221; Sollozzo</strong> – a heroin dealer associated with the Tattaglia family.</li>
<li><strong>Gianni Russo</strong> as <strong>Carlo Rizzi</strong> – Connie&#8217;s husband. Becomes an associate of the Corleone family, and ultimately betrays Sonny to the Barzini family.</li>
<li><strong>Sterling Hayden</strong> as <strong>Captain Mark McCluskey</strong> – a corrupt police captain on Sollozzo&#8217;s payroll.</li>
<li><strong>Lenny Montana</strong> as <strong>Luca Brasi</strong> – an enforcer utilized by Vito Corleone.</li>
<li><strong>Richard Conte</strong> as <strong>Emilio Barzini</strong>– Don of the Barzini family.</li>
<li><strong>Al Martino</strong> as <strong>Johnny Fontane</strong> – a world-famous popular singer and godson of Vito.</li>
</ul>
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